{"title":"Art","description":null,"products":[{"product_id":"miguel-ortiz-berrocal-il-cofanetto-opus-123-gold-plated","title":"Miguel Berrocal Il Cofanetto Opus 123 complete romantic dining set for two","description":"\u003cp\u003eMiguel Berrocal “Il Cofanetto” (Opus 123) 1969–1975 complete 88-piece gold-plated Zamak dining set for two, homage to Romeo \u0026amp; Juliet and the city of Verona\u003c\/p\u003e\n\u003ch3\u003eIl Cofanetto: Miguel Berrocal, 1969–1975\u003c\/h3\u003e\n\u003cp\u003eA complete, 88-piece “Il Cofanetto” 321\/500 signed by the Spanish sculptor Miguel Berrocal, celebrated for the puzzle sculptures he produced between 1967 and 2004 while working in Verona, Italy and nearby Negrar. Conceived as a homage to Shakespeare’s “Romeo and Juliet” and the city of Verona, this Renaissance-style casket disassembles into a complete gold-plated dining set for two: four candlesticks, two pairs of tall matching goblets on Corinthian-column stems, a full complement of forks, knives and spoons, a rechaud, four ashtrays, and a pair of rings, one for him, one for her, all housed within a lidded, reliquary-form casket rendered in Berrocal’s signature interlocking, biomorphic puzzle language. Corinthian columns frame each side of the casket itself, capped by a stepped, pyramid-finialed lid.\u003c\/p\u003e\n\u003cp\u003eThis example is complete with all 88 pieces and its original hardback book, which documents the piece’s history, gives full assembly instructions, and illustrates the production process with period photography (Verona, Romeo and Juliet costume shoot included).\u003c\/p\u003e\n\u003ch3\u003eA documented, freshly re-plated example\u003c\/h3\u003e\n\u003cp\u003eNine pieces of this Il Cofanetto were sent to Stefano Bussola Argentatura e Doratura, in Verona, the very workshop that originally gold-plated the edition in the early 1970s, to be re-plated. Though the company has since closed, its retired owner, a master gilder, personally took on the restoration of these pieces, applying the same expertise used on the originals over fifty years ago. It’s a rare case of an edition being returned, even briefly, to the hands that made it.\u003c\/p\u003e\n\u003ch3\u003eRarity\u003c\/h3\u003e\n\u003cp\u003eFrom the projected edition of 350 \u003cem\u003eIl Cofanetto\u003c\/em\u003e sculptures in gold-plated Zamak (designated by the artist to be signed and numbered 151\/500 through 500\/500), only 207 were executed and remain in circulation: making this one of the scarcer complete sets to appear on the market, and a significant piece for any serious Berrocal collection.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eDimensions: H 19 x W 16 x D 15 cm (H 7.5 x W 6.3 x D 5.9 in)\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMiguel Ortiz Berrocal (1933–2006) was a Spanish figurative and abstract sculptor best known for his puzzle sculptures, which disassemble into many abstract pieces and often conceal miniature artworks or jewelry, with some capable of being reassembled into different configurations. He worked in Verona and nearby Negrar from 1967 to 2004, collaborating closely with sculptural foundries, and exhibited widely across Europe, North and South America, and Japan. His work is held in prestigious collections worldwide, and a museum dedicated to him has since been founded in Málaga.\u003c\/p\u003e\n\u003cp\u003eVintage Objects would like to thank the foundation Fundación Escultor Berrocal for their availability, assistance, dedication and kindness.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eWear consistent with age and use.\u003c\/p\u003e\n","brand":"Miquel Ortiz Berrocal","offers":[{"title":"Default Title","offer_id":55480184406357,"sku":null,"price":17500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/miguel-berrocal-il-cofanetto-opus-123-1969-1975-complete-88-piece-358.jpg?v=1792691908"},{"product_id":"african-mid-century-modern-female-sculpture-karl-hagenauer","title":"African female mid century modern sculpture brass \u0026 copper","description":"\u003cp\u003eElevate your living space with this exquisite mid-century modern sculpture, standing at an impressive 118 cm in the style of Karl Hagenauer. Crafted from a harmonious blend of brass and copper, this piece encapsulates the timeless elegance and cultural richness of the African \"long neck tribe,\" inspired by the Ndebele tribe group.\u003c\/p\u003e\n\u003cp\u003eThis sculpture features an elegant African beauty, adorned with traditional elongated neck rings that symbolize grace and beauty. The combination of brass and copper not only ensures durability but also adds a warm, sophisticated glow to any setting.\u003c\/p\u003e\n\u003cp\u003ePerfect for art collectors and enthusiasts of mid-century design, this sculpture is more than a decorative piece: it's a celebration of cultural heritage and a testament to the enduring allure of handcrafted artistry. Make it the centerpiece of your collection and let its beauty and history captivate your space.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eHeight 118 x Diameter 24 cm - H. 46.456 x D. 9.448 inches\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eWear consistent with age and use.\u003c\/p\u003e","brand":"Vintage Objects","offers":[{"title":"Default Title","offer_id":55480196071765,"sku":null,"price":7500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/exquisite-brass-and-copper-mid-century-modern-african-female-110.jpg?v=1792691922"},{"product_id":"alberto-cabiddu-wall-sculpture-lime-stone","title":"“Murena”: Alberto Cabiddu wall sculpture, 1999, Pietra di Vicenza \u0026 Ebonized wood","description":"\u003cp\u003e“Murena”: Alberto Cabiddu wall sculpture, 1999, Pietra di Vicenza \u0026amp; Ebonized wood\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eH. 37 x W. 100 x D. 7 cm\u003cbr\u003e(H. 14.6 x W. 39.4 x D. 2.75 in)\u003c\/p\u003e\n\u003ch3\u003eDetails\u003c\/h3\u003e\n\u003cp\u003e“Murena” is a rare wall-mounted sculpture by Italian artist Alberto Cabiddu, carved in 1999 from Pietra di Vicenza, the honey-toned limestone long favored by Renaissance architects, and set against a black-lacquered wood ground. Stretching a full meter across the wall, the piece takes its name and rhythm from the moray eel: a sinuous, undulating silhouette that coils and knots across the panel, its pale stone body punctuated by voids that let the black backing bite through like shadow or negative space.\u003c\/p\u003e\n\u003cp\u003eCabiddu’s language here is instantly recognizable: soft, biomorphic volumes carved with an almost hand-worn tactility, floating against a hard graphic ground. The dialogue between the two materials is the real subject of the work: warm, porous, sunlit stone against cool, matte black lacquer; mass against void; organic curve against architectural edge. Comparisons to Jean Arp’s biomorphic reliefs or Hans Arp’s cut-paper compositions come to mind, filtered through Cabiddu’s own late-1990s vocabulary of stacked, rhythmic form.\u003c\/p\u003e\n\u003cp\u003eAs with all of Cabiddu’s sculptures, this is a unique, one-of-a-kind work: the artist has never worked in editions. Signed by the artist. A striking, sculptural presence for a hallway, stairwell, or gallery wall, “Murena” reads equally well as fine art or as a signature piece of postmodern Italian design.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent, consistent with age. Ready to hang.\u003c\/p\u003e\n\u003cp\u003eWear consistent with age and use.\u003c\/p\u003e\n\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\n\u003cp\u003eAlberto Cabiddu was born in Geneva, Switzerland, in 1966, and found his way to art early, encouraged by a teacher who spotted his talent when he was just ten. After a youth more focused on music, his interest in drawing resurfaced in his late teens, taking him through courses in Paris and Geneva. In 1987 he relocated to the province of Vicenza, Italy, where he discovered the local Pietra di Vicenza and began experimenting with it alongside marble, wood, and clay. Though he studied briefly with sculptor Agostino Gallio and ceramicist Antonio Visentin, Cabiddu is largely self-taught.\u003c\/p\u003e\n\u003cp\u003eFor decades, Cabiddu worked in near total privacy, uninterested in exhibiting or promoting his sculpture: choosing instead to quietly develop a singular body of work defined by biomorphic form, architectural clarity, and the tension between organic stone and rigid, dark wood grounds. Only in recent years has a small body of this work begun reaching collectors, making early, signed pieces like “Murena” genuinely scarce.\u003c\/p\u003e\n","brand":"Alberto Cabiddu","offers":[{"title":"Default Title","offer_id":55480200724821,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/murena-alberto-cabiddu-wall-sculpture-1999-pietra-di-vicenza-800.jpg?v=1792691926"},{"product_id":"monotype-painting","title":"Monotype 1987 painting by Carla Raadsveld","description":"\u003cp\u003eStep into a world of artistic beauty and expression with the captivating painting \"Monotype\" by renowned artist Carla Raadsveld, created in 1987. This exquisite artwork is a testament to Raadsveld's unique artistic vision and mastery of the monotype technique.\u003c\/p\u003e\n\u003cp\u003e\"Monotype\" embodies a harmonious blend of color, form, and emotion, inviting viewers to explore its depths and uncover layers of meaning. Raadsveld's use of vibrant hues and delicate brushstrokes creates a dynamic and captivating composition that captures the imagination.\u003c\/p\u003e\n\u003cp\u003eAs you gaze upon \"Monotype,\" you'll be transported to a realm where creativity knows no bounds. Whether displayed in a gallery, home, or office, this painting serves as a focal point that sparks conversation, contemplation, and admiration for the artist's talent.\u003c\/p\u003e\n\u003ch3\u003eAbout Carla Raadsveld\u003c\/h3\u003e\n\u003cp\u003eCarla Raadsveld, known for her evocative and expressive artworks, has established herself as a prominent figure in the contemporary art scene. Her works resonate with art lovers and collectors worldwide, making \"Monotype\" a valuable addition to any art collection.\u003c\/p\u003e\n\u003cp\u003eExperience the beauty and power of \"Monotype\" by Carla Raadsveld. Let its enchanting presence enrich your surroundings and inspire a deeper appreciation for the artistry and creativity that defines Raadsveld's work.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eH.111 x W.80 cm - 43.7 x 31.5 in\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eWear consistent with age and use.\u003c\/p\u003e","brand":"Vintage Objects","offers":[{"title":"Default Title","offer_id":55480209342805,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/monotype-1987-painting-by-carla-raadsveld-art-337.jpg?v=1792691934"},{"product_id":"metropolitan-expressway-meguro-tokyo","title":"Metropolitan Expressway Route No. 3, Meguro, Tokyo","description":"\u003cp\u003e“Metropolitan Expressway Route No. 3, Meguro, Tokyo”: December 16, 2023\u003c\/p\u003e\n\u003cp\u003eA striking study in form, movement, and modern infrastructure, Metropolitan Expressway Route No. 3, Meguro, Tokyo transforms the urban landscape into a sculptural composition of sweeping lines and architectural precision. The elevated expressway curves overhead like a ribbon of steel, guiding the eye through the frame while the pedestrian path below anchors the viewer in a quiet, almost contemplative moment within the vast machinery of the city.\u003c\/p\u003e\n\u003cp\u003eRendered in refined black and white, the photograph emphasizes contrast, rhythm, and geometry. The interplay of light across textured surfaces, steel, concrete, and tile, reveals a layered visual language where functionality becomes art. The solitary figure in the distance introduces a subtle human presence, underscoring the scale and anonymity of Tokyo’s urban environment.\u003c\/p\u003e\n\u003cp\u003ePrinted on museum-quality Rag Baryta paper, crafted from 100% cotton with an advanced inkjet coating optimized for Fine Art applications, this work delivers exceptional tonal depth, crisp detail, and archival stability. The print is mounted on aluminum, offering a clean, contemporary finish suited for gallery display.\u003c\/p\u003e\n\u003ch3\u003eDetails\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMedium: Archival pigment print on Rag Baryta paper (100% cotton), mounted on aluminum\u003c\/li\u003e\n\u003cli\u003eDimensions: 70 × 50 cm (27.6 × 19.7 inches)\u003c\/li\u003e\n\u003cli\u003eEdition: Limited edition of 5\u003c\/li\u003e\n\u003cli\u003eNumber: 1\/5\u003c\/li\u003e\n\u003cli\u003eSignature: Hand-signed and numbered on the reverse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA powerful and minimalist piece for collectors drawn to urban abstraction, architectural photography, and the quiet poetry of metropolitan life.\u003c\/p\u003e\n","brand":"Taco Joustra","offers":[{"title":"Default Title","offer_id":55480214716757,"sku":null,"price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/metropolitan-expressway-route-no-3-meguro-tokyo-art-100.jpg?v=1792691940"},{"product_id":"masao-ido-japanese-woodblock-print","title":"Masao Ido \"Kenninji Temple\" Sōsaku Hanga limited edition woodblock print","description":"\u003cp\u003eMasao Ido \"Kenninji Temple\" (建仁寺) Sōsaku Hanga limited edition woodblock print 1985\u003c\/p\u003e\n\u003cp\u003eSunlight filters through a maple canopy onto a mossy Zen garden in Kyoto. Stepping stones lead past a thatched, bamboo-latticed gate, and a single flash of golden-yellow foliage glows behind it. In this 1985 woodblock print, Masao Ido captures the stillness of Kenninji, Kyoto's oldest Zen temple. He builds the scene from layered, hand-printed greens, from fresh spring-leaf to deep forest, against slate-grey stone and warm, gnarled bark. The grain of the wood shows through the colour fields, a hallmark of true sōsaku hanga, in which the artist is responsible for the whole process.\u003c\/p\u003e\n\u003cp\u003eThe print is titled in Japanese, dated '85, numbered, and signed in pencil. It also bears Ido's red seal. It comes in a slim dark wooden frame with an off-white mat, ready to hang. A quiet, meditative piece that works equally well in a mid-century, minimalist or Japandi interior.\u003c\/p\u003e\n\u003ch3\u003eDetails\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Masao Ido (井堂雅夫)\u003c\/li\u003e\n\u003cli\u003eTitle: Kenninji (建仁寺), inscribed in pencil\u003c\/li\u003e\n\u003cli\u003eDate: 1985\u003c\/li\u003e\n\u003cli\u003eEdition: 45\/150\u003c\/li\u003e\n\u003cli\u003eSigned in pencil, with the artist's red seal\u003c\/li\u003e\n\u003cli\u003eFramed: H. 45 x W. 57 x D. 3 cm (H. 17.7 x W. 22.4 x D. 1.2 in)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMasao Ido was born in 1945 in Beipiao, in northeast China, and his family later settled in Kyoto. As a young man he apprenticed with the kimono fabric dyer Mitsuho Yoshida. In 1972 he studied woodblock printing under Shigenari Otsubo. He turned to printmaking after seeing the work of Saitō Kiyoshi. He became known for serene landscapes of gardens, quiet streets and temple gates, with subtle colour layering that gives depth and richness. His prints are in the collections of institutions including the Los Angeles County Museum of Art. He died in 2016, which makes his prints increasingly sought after.\u003c\/p\u003e\n\u003ch3\u003eAbout Kenninji\u003c\/h3\u003e\n\u003cp\u003eKenninji, in Kyoto's Higashiyama district near Gion, was founded in 1202 by the monk Eisai. It is the oldest Zen temple in Kyoto and one of the city's great Rinzai Zen temples. Eisai is also credited with introducing tea culture to Japan, so the temple's garden carries a link to the tea ceremony. Its treasures include the monumental \"Twin Dragons\" ceiling painting in the Dharma Hall (2002) and Tawaraya Sōtatsu's famous Wind and Thunder Gods screens. The temple is open to the public, and its courtyards and moss gardens are still among the calmest places in the city.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eWear consistent with age and use.\u003c\/p\u003e\n","brand":"Masao Ido","offers":[{"title":"Default Title","offer_id":55480218288469,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/masao-ido-kenninji-temple-jian-ren-si-sosaku-hanga-limited-edition-639.jpg?v=1792691945"},{"product_id":"sosaku-hanga-woodblock-print-masao-ido","title":"Hōjō Nantei \"South garden of the Hōjō\" Sōsaku Hanga woodblock print by Masao Ido","description":"\u003cp\u003eHōjō Nantei (方丈南庭) \"South garden of the Hōjō\", Sōsaku Hanga woodblock print by Masao Ido 1990\u003c\/p\u003e\n\u003cp\u003eA raked gravel garden in raking light, reduced to stone, shadow and rhythm. In Hōjō Nantei (方丈南庭), Masao Ido takes one of the quietest places in Japanese culture, the dry garden before a Zen abbot's quarters, and gives it a graphic, almost modernist clarity. Concentric ripples of combed gravel swell around a single upright stone. Dark rock formations anchor the left. A diagonal pavement of pale grey and blue tiles leads the eye toward the shadowed timber doors beyond. The palette is restrained, but the surfaces are rich, with the speckled texture of the gravel and paper-white shōji panels printed in carefully layered blocks.\u003c\/p\u003e\n\u003cp\u003eThis is a fine impression of a limited edition, numbered 12\/150, dated '90, titled and signed in pencil by the artist, and bearing his red seal. It comes in its original Japanese frame with a white mat, which suits the print's tonal calm. Its cool greys make it easy to place in a minimalist, mid-century or contemporary interior, where it works as a meditative counterpoint to wood, leather and stone.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMasao Ido (井堂雅夫, b. 1945) is a Kyoto-based printmaker associated with the Sōsaku Hanga (\"creative print\") tradition, in which the artist conceives, carves and prints the work. He is best known for architectural and garden subjects around Kyoto's temples, rendered in flat planes of colour with subtle surface texture.\u003c\/p\u003e\n\u003ch3\u003eAbout the Hōjō\u003c\/h3\u003e\n\u003cp\u003eThe Hōjō (方丈) is the abbot's residence of a Zen temple, named for the \"ten-foot-square\" hut of the sage Vimalakirti. Its south garden (nantei, 南庭) is traditionally a kare-sansui, or dry landscape: raked gravel suggests water and stones suggest islands or mountains. These gardens are meant for contemplation rather than strolling, which is why Ido's composition feels so still.\u003c\/p\u003e\n\u003ch3\u003eDetails\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMedium: colour woodblock print on washi\u003c\/li\u003e\n\u003cli\u003eEdition: 12\/150, dated 1990\u003c\/li\u003e\n\u003cli\u003eSigned in pencil, titled and numbered, with red seal\u003c\/li\u003e\n\u003cli\u003eFrame: original Japanese frame, H 48 × W 60 × D 2.5 cm (H 18.9 × W 23.6 × D 1.0 in)\u003c\/li\u003e\n\u003cli\u003eCondition: very good, with some light toning to the paper margin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eWear consistent with age and use.\u003c\/p\u003e\n","brand":"Masao Ido","offers":[{"title":"Default Title","offer_id":55480225464661,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/hojo-nantei-fang-zhang-nan-ting-south-garden-of-the-hojo-sosaku-hanga-woodblock-465.jpg?v=1792691953"},{"product_id":"japanese-woodblock-print-masao-ido-limited-edition","title":"Shinkoin Temple Japanese woodblock print by Masao Ido limited edition 27\/180","description":"\u003cp\u003eShinkoin Temple 1992 Japanese woodblock print by Masao Ido limited edition 27\/180 original frame\u003c\/p\u003e\n\u003cp\u003eThe pencil inscription at lower left reads 神光院, which is Shinkō-in (Shinkoin). It is a Buddhist temple in the north of Kyoto. The date is \"'92\", and the numbering reads 27\/180.\u003c\/p\u003e\n\u003cp\u003eSunlight flickers across a still pond, and moss-covered black rocks rest beside a raked gravel path. In this 1992 woodblock print, Masao Ido turns a quiet corner of the Shinkoin temple garden in Kyoto into a study in light, texture and calm.\u003c\/p\u003e\n\u003cp\u003eIdo builds the scene from layered colour blocks. The water is a pale silvery blue, broken by dappled sunlight, and a fine grain in the surface gives it a shimmer. Against it, the deep greens of the moss and shrubs and the near-black stones feel graphic and modern, yet still rooted in the Japanese woodblock tradition. The effect is serene and contemplative, and it works equally well in a mid-century, minimalist or Japandi interior.\u003c\/p\u003e\n\u003cp\u003eThe print is titled in Japanese, dated '92, numbered 27\/180 and signed \"Masao Ido\" in pencil. It also bears the artist's red seal. It is presented in its original Japanese frame, with a cream mat and a dark brown wooden frame. The reverse carries the original gallery label with a biography of the artist (Hamakaze Art).\u003c\/p\u003e\n\u003ch3\u003eAbout Masao Ido\u003c\/h3\u003e\n\u003cp\u003eMasao Ido (井堂 雅夫) is a Japanese woodblock printer and textile dyer, born in 1945 in Manchuria. He is a council member (評議員) of the Sankigakai art association. He was selected for the Nichido Print Grand Prix and for the exhibitions of the Japan Print Association. He has had solo exhibitions at department stores across Japan and in the United States, Switzerland and Australia.\u003c\/p\u003e\n\u003cp\u003eHis career extends beyond printmaking. He designed stage sets for the Hanayagi school of Japanese dance, and in 1986 he created export packaging designs for Shiseido. His work is held in public collections including Kyoto Prefecture, the Fukui Prefectural Board of Education, Morioka City and the Museum of Fine Arts, Boston. The label also mentions the director of the Museum of Modern Art in New York.\u003c\/p\u003e\n\u003cp\u003eThe print belongs to the modern Japanese hanga tradition. It is a contemporary heir to shin-hanga and sōsaku-hanga, with flat, bold colour planes, simplified forms and a precise multi-block technique. Temple gardens, moss and stone are recurring subjects for Ido, and he handles them with a graphic, almost abstract clarity.\u003c\/p\u003e\n\u003ch3\u003eDetails\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCreator: Masao Ido (b. 1945)\u003c\/li\u003e\n\u003cli\u003eTitle: Shinkoin Temple (神光院)\u003c\/li\u003e\n\u003cli\u003eDate: 1992\u003c\/li\u003e\n\u003cli\u003eMedium: Colour woodblock print on paper\u003c\/li\u003e\n\u003cli\u003eEdition: 27\/180, titled, dated and signed in pencil, with red seal\u003c\/li\u003e\n\u003cli\u003eFrame: original Japanese wooden frame\u003c\/li\u003e\n\u003cli\u003eDimensions (frame): H 44 x W 57 x D 3 cm \/ H 17.3 x W 22.4 x D 1.2 in\u003c\/li\u003e\n\u003cli\u003eOrigin: Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eWear consistent with age and use.\u003c\/p\u003e\n","brand":"Masao Ido","offers":[{"title":"Default Title","offer_id":55480229036373,"sku":null,"price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/files\/shinkoin-temple-1992-japanese-woodblock-print-by-masao-ido-limited-256.jpg?v=1792691959"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1091\/2091\/3749\/collections\/DSC_0244.jpg?v=1792692568","url":"https:\/\/abesdc-b1.myshopify.com\/collections\/art.oembed","provider":"Vintage Objects","version":"1.0","type":"link"}